By Alan S Cole
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Extra resources for A renascence of the Irish art of lace-making microform : Illustrated by photographic reproductions of Irish laces, made from new and specially designed patterns
Several iterations of this exercise can often lead to extraordinary images and ideas. Using Idealization The concept is as simple as it sounds. Take your character idea and make it the ideal of whatever it is. Knowing what the ideal of a character is makes it easier to make a realistically flawed character. Adding and Subtracting Just like in math, you can add and subtract parts of the character. First, you can try adding things to the design, such as actual body parts, a costume, or some equipment.
Drawing the Character This is the best part. Most artists find that there is nothing better than sitting down and drawing the day away. This is the reward for all of your hard preliminary work, and if you have successfully followed the first steps outlined earlier, you will know right where to go with the drawing. Evaluating the Results If all goes well, here is where you get the compliments and inflated ego. Your work will be loved, appreciated, and pivotal to the success of the project. If things do not go as well, don’t be disheartened; sometimes the magic works, and sometimes it doesn’t.
Other issues will no doubt arise with each characterdesign project. These are critical parts of the process. It is important that these questions be your constant and conscious companions as you design your characters. Eventually, they will become second nature, and you will not be aware that you are answering them as you design; rather, their influence will always show in the underlying structure of your designs. CONCLUSION In the next chapters, we will go beyond the practical and define a working method that is successful, and then we will begin to look at the magic in character design.
A renascence of the Irish art of lace-making microform : Illustrated by photographic reproductions of Irish laces, made from new and specially designed patterns by Alan S Cole